Table of Contents

  • Editors' Foreword
  • Acknowledgments
  • Building the Clowes Collection
  • Dr. Clowes and the Science of Art
  • Notes to the User

  • Italian Paintings
  • Spanish Paintings
  • Dutch Paintings
  • English Paintings
  • Flemish/Netherlandish Paintings
  • French Paintings
  • German/Austrian Paintings
  • Browse All

  • Technical Examination Reports
  • Mark Roskill 1968 Manuscript (PDF)
  • Glossary
  • Authors & Contributors
  • About
Masterpieces from the Clowes Collection: Paintings

Authors & Contributors

  • Alessio Assonitis
  • Sheila Barker
  • Fiona Beckett
  • Erin Rose Birdsall
  • Jacquelyn N. Coutré
  • Christopher Daly
  • María Cruz de Carlos Varona
  • Amanda W. Dotseth
  • Robert Echols
  • Emily Friedman
  • Andrea Golden
  • Dillian Gordon
  • John Oliver Hand
  • Frederick Ilchman
  • Dylan Remeš Jensen
  • Chrystine L. Keener
  • Susan Higman Larsen
  • Haohao Lu
  • Andrea Kibler Maxwell
  • Gustav Medicus
  • David Miller
  • Rebecca Norris
  • Edward Payne
  • Annette Schlagenhauff
  • Erica Schuler
  • Christine Seidel
  • Gregory D. Smith
  • Roxane Sperber
  • Molly Dorkin Taylor
  • Ágota Varga
  • Kjell Wangensteen
  • Linda Witkowski
  • Alessio Assonitis
  • Sheila Barker
  • Fiona Beckett
  • Erin Rose Birdsall
  • Jacquelyn N. Coutré
  • Christopher Daly
  • María Cruz de Carlos Varona
  • Amanda W. Dotseth
  • Robert Echols
  • Emily Friedman
  • Andrea Golden
  • Dillian Gordon
  • John Oliver Hand
  • Frederick Ilchman
  • Dylan Remeš Jensen
  • Chrystine L. Keener
  • Susan Higman Larsen
  • Haohao Lu
  • Andrea Kibler Maxwell
  • Gustav Medicus
  • David Miller
  • Rebecca Norris
  • Edward Payne
  • Annette Schlagenhauff
  • Erica Schuler
  • Christine Seidel
  • Gregory D. Smith
  • Roxane Sperber
  • Molly Dorkin Taylor
  • Ágota Varga
  • Kjell Wangensteen
  • Linda Witkowski

Chrystine L. Keener

Chrystine L. Keener is a professor of Early Modern Art and Architecture at Ringling College of Art and Design. Her work focuses on the Italian Reformation and its impact on the development of art in sixteenth-century Italy. Dr. Keener has presented her work at the Sixteenth-Century Society Conference (2019), the Centre for Reformation and Renaissance Studies, (Victoria College, 2017), the Herzog August Bibliothek (2016), the College Art Association Conference (2016), and the Renaissance Society of America Conference (2021, 2013).

  • Portrait of a Lady Circle of Agnolo Bronzino, about 1540–1550
  • Madonna and Child with St. John the Baptist Circle of Sandro Botticelli (Master of the Campana Panels?), about 1500
  • Madonna and Child Giulio Francia, about 1515

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